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2020 GS Paper I

UPSC CSE (Main) 2020 · GS Paper I · Question 12

Persian literary sources of medieval India reflect the spirit of the age. Comment.

UPSC Civil Services (Main) Examination 2020, General Studies Paper I (GS 1), Question 12 — 15 marks, 250 words.

Syllabus line: Indian art, literature & architecture — “Indian culture will cover the salient aspects of Art Forms, literature and Architecture from ancient to modern times.”

GS Paper I 2020 · Q12

15 marks · 250 words Indian art, literature & architecture

Persian literary sources of medieval India reflect the spirit of the age. Comment.

Approach · directive: “comment”

What it asks · Comment on how Persian chronicles, biographies, memoirs and translations mirror the politics, society, culture and ideology of the Sultanate and Mughal ages, and on their limits.

It asks 3 things — answer each

  1. Comment on how Persian sources mirror the politics and ideals of kingship in the Sultanate and Mughal ages
  2. Comment on how they mirror culture, faith, synthesis, society and economy
  3. Comment on their limits as evidence and how to use them

Open with · Persian was the language of court, chancery and high culture from the Delhi Sultanate to the Mughals; its texts, written close to power, mirror the ideals and anxieties of the age.

Cover

  • Sultanate: Minhaj's Tabakat-i-Nasiri on conquest; Barani's Tarikh-i-Firuz Shahi and Fatawa-i-Jahandari on kingship; Isami's Futuh-us-Salatin.
  • Mughal: Abul Fazl's Akbar Nama and Ain-i Akbari; Lahori's Badshah Nama; Badauni's critical Muntakhab-ut-Tawarikh.
  • Synthesis: Razmnama and illustrated Ramayana at Fatehpur Sikri; Dara Shukoh's Majma-ul-Bahrain; Amir Khusrau.
  • Sufi voice: Amir Hasan Sijzi's Fawaid-ul-Fuad on Shaikh Nizamuddin.
  • Economy: the Ain's revenue tables, Barani on Alauddin's market controls, Abdur Razzaq on Vijayanagara.
  • Limits: court-centred and eulogistic; cross-check with Sanskrit, regional, epigraphic and European sources.

Close with · Read with their silences in mind, Persian sources give medieval India its most continuous voice: the age speaks through them, though mostly from the court.

Question: UPSC's CS (Main) 2020, GS Paper I — paper ↗. Approach: Minimalist IAS, checked 16 Oct 2026 (how we verify) — UPSC publishes no model answers. ·

Model answer· 326words · Minimalist IAS

Persian was the language of court, chancery and high culture from the Delhi Sultanate to the Mughals. Written by courtiers, Sufi disciples and translators, these texts carry the ideals, anxieties and exchanges of their age.

Spirit of conquest and kingship

  • Sultanate chronicles: Minhaj al-Siraj Juzjani's Tabakat-i-Nasiri narrates Bakhtiyar Khilji's campaign in Bihar as heroic conquest; Isami's Futuh-us-Salatin gives a Deccan view.
  • Theory of rule: Ziyauddin Barani's Tarikh-i-Firuz Shahi and Fatawa-i-Jahandari set out an orthodox ideal of kingship and nobility.
  • Mughal imperial vision: Abul Fazl's Akbar Nama, of which the Ain-i Akbari formed part, presents Akbar as a sovereign above sects; Lahori's Badshah Nama displays Shah Jahan's splendour.
  • Dissent within: Badauni's Muntakhab-ut-Tawarikh voices orthodox unease with the same reign, so the court spoke in more than one voice.

Spirit of synthesis and devotion

  • Translation project: at Fatehpur Sikri the Mahabharata became the Razmnama and the Ramayana gained 176 miniatures; Badauni himself was set to translate a text on Krishna.
  • Sufi voice: Amir Hasan Sijzi's Fawaid-ul-Fuad preserves Shaikh Nizamuddin's conversations; Amir Khusrau and Barani also wrote of the Shaikh.
  • Meeting of faiths: Dara Shukoh's Majma-ul-Bahrain seeks common ground between Vedanta and Sufism, while Jahangir's Tuzuk-i-Jahangiri shows a patron's love of the arts.
TextReignSpirit it mirrors
Tabakat-i-NasiriEarly SultanateConquest, Turkish nobility
Akbar NamaAkbarImperial order, sulh-i kul
RazmnamaAkbarPersian-Sanskrit synthesis
Badshah NamaShah JahanCourt splendour

Society and economy

  • Land, markets and cities: the Ain's revenue and price tables, Barani on Alauddin Khalji's market controls, and Abdur Razzaq's account of Vijayanagara record administration and trade.

Limits of the mirror

  • Court-centred: written for patrons, they magnify rulers and say little of peasants, women and artisans; Barani's orthodoxy and Abul Fazl's praise pull opposite ways.
  • Cross-checking: they must be read with Sanskrit and regional texts, inscriptions, coins and European travellers' accounts.

Read with their silences in mind, Persian sources give medieval India its most continuous voice: the age speaks through them, though mostly from the court.

Prepared by Minimalist IAS to the answer standard of Shivam Singh (mentor, 7 years) · facts checked against official sources (how we verify) · updated 16 Oct 2026. UPSC publishes no model answers: compare your structure and coverage with this, then write your own.

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