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2017 GS Paper I

UPSC CSE (Main) 2017 · GS Paper I · Question 1

How do you justify the view that the level of excellence of the Gupta numismatic art is not at all…

UPSC Civil Services (Main) Examination 2017, General Studies Paper I (GS 1), Question 1 — 10 marks, 150 words.

Syllabus line: Indian art, literature & architecture — “Indian culture will cover the salient aspects of Art Forms, literature and Architecture from ancient to modern times.”

GS Paper I 2017 · Q1

10 marks · 150 words Indian art, literature & architecture

How do you justify the view that the level of excellence of the Gupta numismatic art is not at all noticeable in later times ?

Approach · directive: “how do you justify”

What it asks · Show, with examples, what made Gupta coinage artistically exceptional, then show era by era that later coinages did not match it, and give reasons for the decline.

It asks 2 things — answer each

  1. Justify (part 1): what made Gupta coinage artistically excellent: themes, modelling, script, metal and prestige
  2. Justify (part 2): show phase by phase that later coinage never matched it, and why

Open with · Gupta gold coins followed the Kushan pattern of king on the obverse and deity on the reverse, but raised it to art; NCERT rates them among the most spectacular, the earliest notable for purity.

Cover

  • Range of themes: Kumaradevi type, Asvamedha, Lyrist, Archer and Lion-slayer types record events and royal talents.
  • Modelling: Samudragupta playing the veena with Lakshmi on the reverse shares the grace of Gupta sculpture.
  • Script and metal: Brahmi legends, often in Sanskrit verse, on high-purity gold that served long-distance trade.
  • Prestige: the Huna Toramana copied Gupta titles, designs and Lakshmi on his own coins.
  • Table: late Gupta alloy and stereotyped types; post-Gupta monotony (RBI); calligraphic Sultanate–Mughal coins.
  • Fewer coins: NCERT notes gold coin finds taper off from about the sixth century CE.
  • Causes: fiscal strain after the Huna wars and regional fragmentation removed the trade and patronage behind the mints.

Close with · Even the Kalachuri Gangeyadeva's revival of gold gave a seated-Lakshmi type that later rulers copied, often debased; Gupta coins stay the benchmark because art, trade and imperial confidence briefly coincided.

Add value (verified)

  • RBI: Gupta coinage (4th–6th centuries AD) followed the Kushan tradition of king on the obverse and an Indian deity on the reverse, with Brahmi legends.Reserve Bank of India — Ancient Indian coinage ↗“oinage (4th-6th centuries AD) followed the tradition of the Kushans, depicting the king on the obverse and a deity on the reverse; the deities were Indian and the legends were in Brahmi.”
  • RBI: post-Gupta coinage (6th–12th centuries AD) was monotonous and aesthetically less interesting; gold coins of the period are rare.Reserve Bank of India — Ancient Indian coinage ↗“Post-Gupta coinage (6th-12th centuries AD), is represented by a monotonous and aesthetically less interesting series of dynastic issues including those of Harsha (7th century AD, Kalachuri of Tripuri (11th century AD) and early medieval Rajputs (9th-12th centuries AD). Gold coins struck between this period are rare.”

Question: UPSC's CS (Main) 2017, GS Paper I — paper ↗. Approach: Minimalist IAS, checked 16 Oct 2026 (how we verify) — UPSC publishes no model answers. ·

Model answer· 219words · Minimalist IAS

Gupta gold coins (4th–6th centuries CE) kept the Kushan pattern of king on the obverse and deity on the reverse, but raised it to art; NCERT calls some of them the most spectacular gold coins. Nothing later matched them.

What made Gupta coins excellent

  • Range of themes: Chandragupta I with queen Kumaradevi, the Asvamedha horse, Lyrist, Archer and Lion-slayer.
  • Sculptural modelling: Samudragupta sits playing the veena with Lakshmi on the reverse, figures as graceful as Gupta stone sculpture.
  • Script and metal: Brahmi legends, often in Sanskrit verse, on high-purity gold that eased long-distance trade.
  • Prestige: the Huna ruler Toramana copied Gupta titles, designs and Lakshmi on his coins.

Why later times never matched it

PhaseCoinageArtistic quality
Late Gupta (from Skandagupta)more alloy, few stereotyped typesdeclining
Post-Gupta (6th–12th centuries)Harsha, Kalachuri, Rajput Bull-and-Horsemanmonotonous
Sultanate and Mughalcalligraphic legendsfigures rare; Jahangir's zodiac coins brief
  • Fewer coins: NCERT notes gold coin finds taper off from about the sixth century CE.
  • Official verdict: the RBI calls post-Gupta issues monotonous and aesthetically less interesting.
  • Disputed cause: NCERT says historians are divided on whether this marks an economic crisis.

Even the Kalachuri ruler Gangeyadeva's revival of gold gave a seated-Lakshmi type that later rulers copied, often debased; Gupta coins remain the benchmark because art, trade and imperial confidence briefly coincided.

Prepared by Minimalist IAS to the answer standard of Shivam Singh (mentor, 7 years) · facts checked against official sources (how we verify) · updated 16 Oct 2026. UPSC publishes no model answers: compare your structure and coverage with this, then write your own.

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